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Bonnie Tyler ~ No Way To Treat A Lady


(bryan adams/jim vallance)
Producer for bonnie: jim steinman

You can please me
You can sweet talk and lead me on
But believe me
Won't be long till i'm catching on
Now you left me here with nothing
And you put my love on hold
Well there must be something behind those eyes
Because i believe every lie you told

That ain't no way to treat a lady
That ain't no way to treat a woman in love
That ain't no way to treat a lady
I could of sworn that you'd had enough

So you leave me
Well i'm lonely and in despair,
It intrigues me
How you don't really seem to care
Well i ain't here for nothing
And my love doesn't come that cheap
I will hold you to all your promises
If i could find one you meant to keen

That ain't no way to treat a lady
That ain't no way to treat a woman in love
That ain't no way to treat a lady
That ain't no way, no way to treat a woman in love

You can tease me
You can sweet talk and lead me on
But believe me
Won't be long till i'm catching on
For i ain't here for nothing
And my love doesn't come that cheap
And i will hold you to all your promises
If i could find one you meant to keep

Chorus


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Global Music: Unbounded Sound Waves
Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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