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Billie Holiday ~ My Man


Channing pollock/maurice yvain / albert willemetz/jaques charles

It cost me a lot
But there's one thing that i've got
It's my man
It's my man

Cold or wet
Tired, you bet
All of this i'll soon forget
With my man

He's not much on looks
He's no hero out of books
But i love him
Yes, i love him

Two or three girls
Has he
That he likes as well as me
But i love him

I don't know why i should
He isn't true
He beats me, too
What can i do?

Oh, my man, i love him so
He'll never know
All my life is just a spare
But i don't care
When he takes me in his arms
The world is bright
All right

What's the difference if i say
I'll go away
When i know i'll come back
On my knees someday

For whatever my man is
I'm his forevermore


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Music is the only human language that does not require translation.
Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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