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Bauhaus ~ Crowds


What do you want of me
What do you long from me
A slim pixie, thin and forlorn
A count, white and drawn
What do you make of me
What can you take from me
Pallid landscapes off my frown
Let me rip you up and down

For you i came to forsake
Lay wide despise and hate
I sing of you in my demented songs
For you and your stimulations
Take what you can of me
Rip what you can off me
And this i'll say to you
And hope that it gets through

You worthless bitch
You fickle shit
You will spit on me
You will make me spit
And when the judas howl arise
And like the jesus jews you epitomize
I'll still be here as strong as you
And i'll walk away in spite of you

And i'll walk away
Away
Walk away
(repeat)


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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