Free Lyrics 2026

Silverchair ~ Too Much Of Not Enough


She tripped on a hole that I'd dug in the soil To be part of a human garden and I couldn't Stand in the straight postured sun But you stood in the mud which came unsoiled When I came along You see it's good for nothing, good for nothing A close look at something So close It's too much of not enough When all we need is just a taste I strapped myself in for a safe saccharide Before it started I tried to be anything I saw fit And it all seemed to fit but you came undone When I came along Blind white lies and shallow truth Broken strings and stolen youth I've seen too much of not enough but You came much closer than they had before…… You never stop needing And it's good for nothing more free lyrics

She tripped on a hole that I'd dug in the soil
To be part of a human garden and I couldn't
Stand in the straight postured sun
But you stood in the mud which came unsoiled
When I came along
You see it's good for nothing, good for nothing
A close look at something
So close
It's too much of not enough
When all we need is just a taste
I strapped myself in for a safe saccharide
Before it started I tried to be anything I saw fit
And it all seemed to fit but you came undone
When I came along
Blind white lies and shallow truth
Broken strings and stolen youth
I've seen too much of not enough but
You came much closer than they had before……
You never stop needing
And it's good for nothing

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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